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Lesson from Mad Men Episode 605, “The Flood” : Showing Up Is A Big Part of Successfully Managing a Crisis

Christopher Stanley as Henry Francis in an image from AMCTV.com

Over the past few years, I’ve written posts about “Agency Lessons from Mad Men.”  I haven’t written about this season yet.  Part of it, is that nothing has jumped out at me.  Last night there was a point made offscreen about crisis management.

A driver of the episode was the tragic murder of  Martin Luther King Jr. and how this impacted the characters and New York.  That night and over the following days, riots ripped through many cities across America, but not New York.  Why?  One of the reasons was planning.  Mayor Lindsay had been building relationships with leaders in the African American community in Harlem for months.  Not just high profile leaders, but the people who were real influences on the streets.

When he heard about the assassination, the Mayor immediately went uptown to Harlem, jumped out of his car and walked through the streets talking with people. This was told through the voice of Betty‘s husband, Henry Francis, a Lindsay aide.  Here’s a great article from The Morning News about “The Night New York Avoided a Riot.”

Why is this applicable to agencies and PR?  I spend a lot of time right now on crisis communications, and one of the core tenets of effectively dealing with a crisis is having built alliances and relationships before you need them.  There’s a line in “Spy Game,” which is a somewhat forgettable movie but has a great quote delivered by Nathan Muir where he asks his assistant, “When Did Noah build the ark Gladys? Before the rain..before the rain.”

The other lesson in crisis communications, is showing up, being real and being accessible.  People are less likely to strike out when the object of their rage is a real person.  If it’s a faceless corporation, or a lack of authority, it’s easier for a mob mentality to take control.  By jumping out of the car and being there, Mayor Lindsay did the 1968 equivalent of a Reddit AMA or Twitter availability to deal with an online crisis in 2013.

So, the lessons from this week:

  • Build the ark, or make friends, before it rains; and
  • Don’t be afraid to be in front, be a person and be real.

Mad Men Returns April 7th!

I’ve written quite a bit about “Mad Men,” on AMC.  It’s coming back on April 7th for season six. I hope to be reprising my “Agency Lessons from Mad Men,” series.  In the meantime:

 

Agency Lessons from Mad Men episode 511 – “The Other Woman” – Don’t Be A Pimp

Image from AMCTV.com

I haven’t been documenting all of the agency lessons from Mad Men on AMC this season but there was one in episode 511, “The Other Woman,” that I had to touch.

This seems pretty straightforward, “Don’t be a pimp.”  This sounds easy but in the real world we aren’t often asked to have a colleague sleep with a prospective client as was asked of Pete Campbell in regards to Joan Harris to secure the Jaguar account.  We might be asked to do something else that goes against our morals or even just against our gut.

When money is being waved at you, it’s sometimes may seem easy to bend your code to make something happen.  It’s not worth it.  In my experience, it will come back to you. Maybe not right away, but it will bite you.  If you need more support, just listen to the advice of the “narrator,” in “True Romance,” “Every pimp in the world gets shot.”  In this case, given Pete’s foreshadowing with guns this season, I wouldn’t bet against it.

Agency Lessons from Mad Men Episode 503 – “Tea Leaves”

Image from AMCTV.com

Mad Men continues to include real issues faced by advertising (and yes PR firms) in an incredible show. If I wasn’t in this industry, I’m sure I would still be a fan of the show, but for me I get a bonus. I get to watch situations I encounter all the time dealt with by others.

The agency lesson for me from “Tea Leaves,” is given by Peggy Olson.  She is tasked with hiring a new copywriter for the Mohawk Airlines account, “someone with a penis,” according to Roger.  As Peggy is flipping through portfolios of applicants, art director Stan Rizzo suggests she just choose one, any one.  Peggy’s eye is caught by interesting work by Michael Ginsburg.

Ginsburg is annoying, uncomfortable to be around and…incredibly talented.  Peggy passes up many adequate candidates and chooses Ginsburg. Why?  She thinks he is better than her at writing.  That is a huge business lesson. Hire up.  With better people around you, you’ll create better work and everyone will benefit.

 

Agency Lessons from Mad Men Episodes #501 and 502 – “A Little Kiss”

Image from AMCTV.com/MadMen

For the past few years, while watching Mad Men on AMC, I’ve been following up the episodes with blog posts about “Agency Lessons” that can be learned from that episode. Last week, I put them all together in one post.

Season five kicked off with a double episode that included many lessons for those of us that work in agencies:

- The episode opened with copy writers in the office of Young and Rubicam (a real world advertising agency often portrayed as the primary competitor to SCDP) dropping bags filled with water out their office window on civil rights protesters below (read the original article from the NY Times here, and yes the dialog in the lobby was real).  Don Draper and Roger Sterling follow this up with an “ad” in the NY Times that reads,

Sterling Cooper Draper Pryce

An equal opportunity employer. Our windows don’t open. We are committed to proving that Madison Avenue isn’t all wet.

They think it’s funny….until Joan Harris, the director of agency operations who is out on maternity leave, thinks she is being replaced, oh and twenty african american men and women show up in the lobby looking for a job.  Last month, I wrote about not expecting everyone to understand your sense of humor.  This is doubly important, when you are a bigot, and the times are changing, while you apparently, are not.

- The creative team led by Peggy Olson presented work to Heinz Baked Beans.  Let’s just say it wasn’t what the client wanted. Their feedback was, “It’s very artistic, and I want to be bold, but this isn’t what I had in mind when I was talking about a new generation of consumers.”  He asks, “Where’s the bite and smile?”  The standard food advertising shot making it very clear what you should do with the product and how it makes you feel.  The lesson here is that it’s always good to push the boundaries of creative but you have to know your client, and you need to have something safe in your back pocket.

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